CHRIST IN WINTER:
Reflections on Faith for the Years of Winter… ©
We are having a jazz
worship service at our church this morning. I’ll go, and I’ll like it. Still…
My good friend, the
much-loved and much-missed George Paterson, was a jazz musician, in addition to
being the chaplain at University of Iowa Hospitals and a professor in the
university’s School of Religion. He played trombone and often led jazz worship
services. People came away from George’s services, and from George’s presence, feeling
like they had experienced the Gospel. I’m sure I’ll do that this morning. Still…
Much jazz worship takes
familiar hymns, like “Just a Closer Walk with Thee” and doing them in jazzy
tempo and style. I like that. You get to hear that rendering of a Gospel truth
in a new way. Still…
Still… in my soul, I’ll be
humming, “I love to tell the story.”
I’m a narrativist, a story
guy. So much jazz is without a story, at least one I can recognize. That means
I’m mostly a folk music guy. Folk music tells a story, a story of the yearnings
of common people to be free, to be treated with respect. I don’t hear that in
jazz.
The biggest difference
between folk and jazz is, jazz musicians go to jail because of their behavior,
folk musicians go to jail because of their songs.
JRMcF
johnrobertmcfarland@gmail.com
Some folks say that if you
are playing and you hit a wrong note, you just call it jazz and go on. So I
guess I played a lot of jazz in my younger days.
Jazz, of course, by its
very nature, cannot be pigeon-holed. Some, like the Ragtime variety, is
narrative.
Interestingly, the song “And
All That Jazz” from “Chicago,” is not jazz. It’s straight Broadway, all narrative.
I tweet as yooper1721,
because when I started, I thought you were supposed to have a “handle,” like CB
radio, instead of a name. I was a Yooper, resident of MI’s UP [Upper
Peninsula], and my phone ended in 1721, so…
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