CHRIST IN WINTER:
Reflections on Faith & Life for the Years of Winter
COMMUNING WITH AUNT NORA [Sun, 8-16-20]
When I was ordained, at
the Elliott Hall of Music, at Purdue University, in 1964, Aunt Nora and Uncle
Ted gave me a home communion set. It is in a nice black pebbled case and
contains four small glasses, a small plastic bottle for grape juice, and a
small silver plate that fits on a round container for bread elements. It’s so
the pastor can serve communion to shut-ins at home, or patients in the
hospital.
I think that it has always
signified my status as a pastor, as ordained, more than any other item I have
possessed. More than my pulpit robe, or stole, or certificate on the wall. In
the Methodist Church, you must be ordained to serve communion. It’s a special
honor to have a home communion set.
More than that, though, it
was special because it came from Aunt Nora, one of the best Christians I have
ever known, despite her theology. When I told her about how I had traded my
life for my sister’s, how I had told God at age 14 that I would become a
preacher if “He” would save Mary V’s life, it was Aunt Nora who assured me that
God had, indeed, made Mary V sick to get me to go into the ministry, and that
God would let her die if I didn’t carry through on the deal. Aunt Nora always
wanted a preacher in the family. [1]
I did not use the set
nearly as much as I thought I would. Partly because I spent a lot of years in
campus ministry, and there isn’t much call for home or hospital communion with
college students. I served communion to a lot of students, averaging over 100
every Wednesday night by the end of my time at ILSU, but that was in the
sanctuary at First Methodist. In the years that followed, though, when
pastoring in IL, at Orion and Hoopeston and Charleston and Arcola, from time to
time I got to share “the body and blood of Christ” with shut-ins and
hospitalized folks. Usually I would just work into our ongoing conversation, at
the bed side or beside a chair, as I opened the set and took out the elements,
about how Jesus, on the night he was betrayed, took bread and…
That is a really good
communion set. Even after 35 years of active ministry and another 20 of
retirement, serving part-time interim pastorates, it still looks brand new. I
was looking around for some newly ordained young pastor, one who did not have
an Aunt Nora, to whom I could give the set, even though I hated to part with
this memento of Aunt Nora and Uncle Ted, when the current pandemic isolation
hit.
Then I realized that the communion
set was not done with me yet. Helen and I take communion on the first Sunday of
each month with the St. Mark’s service online. Helen is the communion steward,
getting bread and juice ready. We serve the elements to each other. From my
little home communion set.
Of course, everyone else
in the congregation gets to commune, too, online, with whatever they have available
for elements. Their communion is just as meaningful as that handed around in
our house, or the homes of the other retired, ordained pastors in our
congregation, who may well be using their own home communion sets.
I’ve always loved the
scene at the end in the Places in the Heart movie, where all the people
in the story are in church, taking communion, passing the plates along the row,
murderer and murdered beside each other, living and dead all in their places. It
was so surprising the first time I saw that scene, but that’s the way communion
is for all of us, whenever we take the elements--all the people in our lives,
living or dead, together in that act.
There is a special
importance for me in that scene, for all my friends and loved ones are taking
from my little home companion set-sort of like everyone eating from just one
loaf and a couple of fishes-and the one handing the elements to me is Aunt
Nora.
John Robert McFarland
1] I tell this story more
completely in The Strange Calling.
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