CHRIST IN WINTER:
Reflections on Faith & Life for the Years of Winter
ZOOM, ZOOM, ZOOMING ALONG [R, 7-23-20]
On Facebook recently, a
preacher advertised for a “pulpit supply” for a coming Sunday, leading Zoom
worship for her church, while she’s off on vacation, or rehab, or something. I
thought about it. The pay was pretty good. Better than what I’m making now,
anyway. There were a couple of problems, though.
First, she wanted a copy
of the sermon about a week before the designated Sunday. Helen immediately
thought that was so she could check out what I might say before anybody in the
congregation was subjected to it. That makes sense from Helen’s perspective,
because she has heard me preach.
But that preacher woman
doesn’t know me, so I assumed it was so she could email copies of the sermon to
congregants before the service because, especially for old people, or folks for
whom Zoom is difficult—and there are a lot of reasons for that—it would be
easier for them to follow along.
That would be a problem
for me, of course, not because I can’t write, but because I don’t like to be fenced
in. [1]
I remember Arthur Duncan,
the great tap dancer on the Lawrence Welk Show, saying that Welk made him do
his routine for that week ahead of time for audio, because he didn’t think the
taps were loud enough in real time. Arthur said that meant he couldn’t vary his
routine on the real show, because he was “tap-syncing” his moves.
Well, I don’t like to
lip-sync my sermons, any more than Arthur did his taps. I like to “trust in the
Spirit,” which is also known as “saying whatever comes into your mind.”
The second problem was
that the church is in Pennsylvania, and I live in Indiana. By the time I
figured out that with Zoom that is not a problem, some other needy vulture had
swept in and grabbed that honorarium.
But it has given me an
idea about how to deal with my financial needs. I think I’ll hire out to be an
actor who plays other people for Zoom meetings.
I have been to a few Zoom
events, and in the process have learned that most people hire actors to portray
them on Zoom, while they do more interesting things.
It doesn’t seem to be too
hard. Most of the actors don’t do a very good job of replicating the person they
are supposed to be, anyway. Their voices are different. Their clothes are
indifferent. Their eyes have a deer-in-the-headlights quality. And whatever
they put on their heads is definitely not the hair of the real people they are
portraying.
So, if you need someone to
“go” to a Zoom meeting for you, even if it’s in Pennsylvania…
John Robert McFarland
1] Perhaps my most
humiliating experience in church was the time, when I was about 11, that Donald
Gene Taylor talked me into doing a duet, singing “Don’t Fence Me In,” for the
talent show of one of Forsythe Church’s monthly ice cream “socials.” We were
supposed to dress accordingly. Donald Gene had a whole cowboy outfit, but the
best I could do was blue jeans and a straw hat. He loaned me one of his spurs,
so I’d look authentic. The Forsythe folk were wonderfully supportive of their
young people, but when I saw them looking at me, I realized that I was an
imposter, both Westernly and musically, so Donald Gene basically sang a solo. I
never did another duet, although I did go to a lot of ice cream socials.
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