CHRIST IN WINTER:
Reflections on Faith & Life for the Years of Winter--
Each second Monday in
January, when we lived in Iron Mountain, in Michigan’s Upper Peninsula, where
winter is thirteen months long, we went to a potluck supper at the home of Dean
and Bette Premo, because Bryan Bowers, the famous folk singer/auto harpist was
at Fortune Lake Lutheran Camp the night before, doing the concert part for the
Premo’s Second Sunday Folk Dance, and Bryan had spent the night with Dean and
Bette, and they needed help in entertaining him.
Except for Mountain Man
Mike, Helen and I were the only non-musicians. We were invited because Mountain
Man Mike makes a fabulous bear stew, and everybody loved Helen’s tropical beet
salad, and anything else she brought, and I could keep the multi-talented but
somewhat unpredictable Bryan under control, since, for some unknown reason, he
thought I was an old 1960s hippie poet and so liked to get my opinion on his
own poetry.
After supper, folks
uncased their instruments, and we went into the living room to play and sing. All
around the top of that room--which the Premos call “the front parlor,” which
gives name to The Front Parlor Dance Band, the group that plays for the dancing
part of the Second Sunday Folk Dance, a room large enough to hold twenty
people, many of them playing stringed instruments--runs a book shelf, from the
kitchen, above the double sliding doors to the deck that overlooks Fire Lake,
turning the corner at the end where the violinists sat, and finally stopping
over the piano, on the wall beside the bedroom where we piled the coats, a pile
so big, this being the UP, where everyone has to wear a parka, a snowmobile
suit, insulated boots and a fur cap [and that’s just inside], that it took
twenty minutes to find your own coat in amongst the others.
It is a deep and tall
shelf, for it holds dozens of cardboard archive boxes, the kind that are about
a foot high and only four inches wide, the sort that libraries use to shelve
stuff that doesn’t stand up on its own.
Bette and Dean both have
PhDs from Michigan State University. She is a limnologist and he is an
environmentalist. They own and run White Water Associates, an environmental
consulting firm, but their first love is music. They perform under the name of
White Water. Their children, Evan and Laurel, were part of White Water from the
time they were little, but as grown-up, married, professional musicians, they
no longer live in the UP, so the mother-daughter duo of pianist Susan and
fiddler/clog dancer Carrie Dlutkowski are now part of White Water. Carrie’s
sister, Emma, also a fiddler/clog dancer, plays with them when she can get away
from her job as a park ranger.
I knew that Dean had built
that house himself, into the hill beside Fire Lake, deep in the woods, with a
sauna outside, and a huge wood shed, large enough to house his parents
originally, too. [The house, not the wood shed.] So it was he who put that
shelf high up all around the parlor. I assumed those boxes must contain research
from his doctoral work. One night, though, I enquired about it. No, it was not
his research. It was the research of Dean’s major professor. It was probably
out of date even when that erstwhile professor retired, but he could not bear
to part with all that represented his life’s work, the stuff he had worked on
so hard for so long, so he gave it all to Dean.
Poor Dean! What do you do
with a white elephant like that? He could not refuse; that would dishonor a man
who had helped him so much. He built a long and winding shelf for those archive
boxes. There all that old research still sits. No one has looked into any of
those boxes since the day many years before when they were placed on that
shelf. Dean’s old professor has been dead for decades.
Try, though, as we might,
even with all our might, to continue our time on earth, by passing on our
“stuff,” be it material or emotional, our time will eventually come to an end,
even if those who respect us are willing to humor us by building a place for
our stuff.
Some day, Evan and Laurel
will have to deal with the stuff on that shelf. Should you think about buying a
house on Fire Lake, don’t agree to take it “as is.”
John Robert McFarland
We are living right now in
somebody’s “good old days.”
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